When producers put the money out to make a production they expect it to look right. That is where the team at Hollywood Lighting Partners can help your show out. Our crew has the experience to get the job done. Whether it is a conventional light 3 camera sit com show or an 11 camera dance show, our team can help you get it done and sent to the editors.
We have contacts all over Hollywood and can get you the gear you need for the required look of your show.
Tungsten, HMI, film, video, 4K, moving lights, LED or UV no problem. We have experience doing fashion, live performance and many comedy’s and dramas.
Shoot an email to Hollywood Lighting Partners at lightingpartners728@gmail.com and let’s talk.
When the show requires hanging motors and pulling truss up with chain, the lighting guys at Hollywood Lighting Partners have loads of experience lighting for some of entertainments biggest productions.
Our guys have worked on many types of shows and have experience with conventional light as well as moving lights, HMI lights, LED lighting and more.
When you have a show that requires some lighting, and they all should, then consider working with Hollywood Lighting Partners. We work with all sized projects and budgets including everything from a simple corporate interview to giant stage productions.
lightingpartners728@gmail.com
Hollywood Lighting Partner, Pete Pearce, has been teaching lighting at Long Beach City College in the Radio/TV Department since 2001.
Hollywood Lighting Partners would like to thank the Arri Group of partners for their contributions to the entertainment industry. Besides great cameras, Arri makes an 18K daylight balanced light called the Arrimax. Since technically we have grown beyond film and into the HD world we have had to adjust lighting for video chips. Granted the new high end HD cameras can see 10+ stops of light we still need to be concious of contrast and exposure. These Arri lights are great for squirting diffused daylight onto your set where ever the camera may need to see it filling in the shadows or blasting in some hard light as if the sun was coming straight in the window.
Thank you Arri.
Hollywood Lighting Partners worked with cinematographer Caleb Deschanel and his gaffer Colin Campbell recently and thought these Hollywood cinema moments were worth capturing.
Some shows have dimmer rooms. This new tv show has a room full of HMI ballasts. The grid in the bar has a ring of 4k’s around it that get turned on and off depending on the direction the camera is looking.
Look familiar? Perhaps you are a Hollywood Lighting Partner or you might be an on set crew member. This is what our 2nd home looks like in the set lighting department. Last weekend we did a TV promo for a new show working out of this truck owned by awesome gaffer and local 728 brother, Scott Spencer. The truck has a roof that allows daylight to radiate into the box making things easier for us to do our thing.
Here at Hollywood Lighting Partners we like to shed some lite on the subject without making lite of the situation. Let us brighten your day.
Lighting Hollywood for over 75 years. Thanks Peter Mole and original Mole Richardson team.
With 2 job titles, 2 cameras, 11 actors and a scheduled time limit the test was on and with a strong crew in 2 days we knocked it out and left it to the editors to do with it what they did. 
