Mole Richardson lighting works with Hollywood Lighting Partners.

By Admin December 5, 2016 December 5, 2016 728 member, crew, industrial control, lighting designs, lighting director, Lighting Facts, local 728, peter pearce, peter pearce lighting designs, set lighting designs, show lights

When you need a giant light in the sky the guys at Hollywood Lighting Partners can get you set up. Mole Richardson has great lights for this task. Preparing for a night shot in Huntington Beach.

Hollywood Lighting Partners knows good lighting and camera work matter.

By Admin December 5, 2016 December 5, 2016 728 member, Camera, crew, hollywood lighting partners set lighting designs, lighting designs, Lighting Facts, local 728, set lighting designs, show lights, show looks

When producers put the money out to make a production they expect it to look right. That is where the team at Hollywood Lighting Partners can help your show out. Our crew has the experience to get the job done. Whether it is a conventional light 3 camera sit com show or an 11 camera dance show, our team can help you get it done and sent to the editors.

We have contacts all over Hollywood and can get you the gear you need for the required look of your show.

Tungsten, HMI, film, video, 4K, moving lights, LED or UV no problem. We have experience doing fashion, live performance and many comedy’s and dramas.

Shoot an email to Hollywood Lighting Partners at lightingpartners728@gmail.com and let’s talk.

The guys at Hollywood Lighting Partners hanging moving lights on truss.

By Admin December 5, 2016 December 5, 2016 728 member, crew, hollywood lighting partners set lighting designs, lighting designs, lighting director, lighting director pete pearce, local 728, show lights

When the show requires hanging motors and pulling truss up with chain, the lighting guys at Hollywood Lighting Partners have loads of experience lighting for some of entertainments biggest productions.

Our guys have worked on many types of shows and have experience with conventional light as well as moving lights, HMI lights, LED lighting and more.

When you have a show that requires some lighting, and they all should, then consider working with Hollywood Lighting Partners. We work with all sized projects and budgets including everything from a simple corporate interview to giant stage productions.

lightingpartners728@gmail.com

Hollywood Lighting Partners shares with Long Beach City College Radio/TV

By Admin December 5, 2016 December 5, 2016 728 member, Camera, crew, hollywood lighting partners set lighting designs, industrial control, lbccmvp, lighting designs, lighting director, lighting director pete pearce, Lighting Facts, local 728, peter pearce, peter pearce lighting designs, set lighting designs, show lights, show looks

Hollywood Lighting Partner, Pete Pearce, has been teaching lighting at Long Beach City College in the Radio/TV Department since 2001.

Hollywood Lighting Partners uses soft lights: Briese, Rifa & Gemball

By Admin June 3, 2016 June 3, 2016 728 member, Camera, crew, peter pearce, peter pearce lighting designs, set lighting designs, show lights, show looks

Hollywood Lighting Partners went nuts and used a combo of Briese Lights, Gemballs and Rifa lights for the backstage and behind the scenes shots for a model tv shoot.

“The quality of the soft lighting is awesome and compliments the beauty of the models that compete on this show. The look of the show is important to me as the executive producer knows quality lighting and her models deserve it” said gaffer and Hollywood Lighting Partners member Peter Pearce.

“It gets tricky sometimes as there are many things happening and cameras everywhere, but it’s a lot of fun and the whole team is awesome to work with. I love them and have gone to Germany 3 times to visit the TMT Lighting Team in Munich just to say hello and drink beers with them.”

The way Hollywood Lighting Partners will light the past in the future.

By Admin November 24, 2015 June 2, 2016 728 member, crew, hollywood lighting partners set lighting designs, lighting designs, Lighting Facts, local 728, peter pearce, set lighting designs, show lights

Hollywood Lighting Partners would like to thank the Arri Group of partners for their contributions to the entertainment industry. Besides great cameras, Arri makes an 18K daylight balanced light called the Arrimax. Since technically we have grown beyond film and into the HD world we have had to adjust lighting for video chips. Granted the new high end HD cameras can see 10+ stops of light we still need to be concious of contrast and exposure. These Arri lights are great for squirting diffused daylight onto your set where ever the camera may need to see it filling in the shadows or blasting in some hard light as if the sun was coming straight in the window.

Thank you Arri.

Long Beach City College lighting class thanks Hive Lighting for sharing plasma lights

By Admin November 24, 2015 November 24, 2015 728 member, crew, lbccmvp, Lighting Facts, local 728, show lights

If you have never heard of plasma light then you may have missed science class in grade school. It is not something we all understand but it is a real and visible light. According to the HIVE Lighting web page http://hivelighting.com it says the following about Plasma light-

Hive Lighting is plasma, each bulb a microstar, a ball of super heated noble gases, captured in a quartz capsule the size of a kernel of corn. Hive combines the bulb with revolutionary optical systems in fixtures we are proud to source, manufacture and design all locally in the entertainment capital of the world.

The instructor of Long Beach City College’s lighting class gave a homework assignment to reach out to the hollywood lighting industry and invite whoever you choose to contact to be a guest speaker to our class. One ambitious student contacted HIVE Lighting located in downtown Los Angeles who manufactures, rents and sells a line of plasma based lighting fixtures and Hive accepted. Our students were blessed to have them recently visit our studio.

These fixtures have the capability to be color temperature controlled to a certain degree and can be used in the Hollywood film and tv industry as well as architectural applications. The daylight colors are as blue or bluer as you may need. On the warm side of the Kelvin scale these fixtures can be dialed to around 4500′-4700′ K. The rest of the color balancing of the light to make it produce 3200′ K is done with a half CTO gell. The lamps can be diffused with various included frames.

Hive was very cool about coming to our school studio and setting up one of their lamps for our class to experience. Shown in the photo below is a lamp called the WASP. Hive also shared sunglasses with our class as seen in the photo above.

Long Beach City College lighting class would like to extend a grateful ‘thank you’ to Hive Lighting for sharing with us. It is this extension of education and reaching out that brings our community together. There is also a level of industry maintenance, as these upcoming producers now have new knowledge and a friend in the business when it comes to questions about renting lights.

HIVE Lighting can be located and found at –

411 S. HEWITT ST | LOS ANGELES, CA 90013
INFO@HIVELIGHTING.COM
(310) 773-4362

Divine lighting is a gift from the Lord for All to be enlightened by

By Admin November 20, 2015 November 20, 2015 728 member, crew, lighting designs, Lighting Facts, local 728, show lights

Hollywood Lighting Partners didn’t get asked to light this monument in Brazil, the CNN tour in Toronto or anywhere else in the world but wanted to take a minute to recognize the beautiful tribute to our French brothers and sisters from lighting technicians worldwide.

Quality lighting doesn’t just happen. It’s what lighting technicians do!

By Admin November 14, 2015 November 14, 2015 728 member, crew, lbccmvp, lighting designs, lighting director, Lighting Facts, local 728, peter pearce, scott spencer, set lighting designs, show lights, show looks, Uncategorized

Hollywood Lighting Partners knows that quality lighting doesn’t just happen. Many think you can just get a good camera and start shooting, but in reality the best way to get quality footage is to use quality lighting to enhance the look of your project. Taking this time and step ensures that your camera can actually see the story you are trying to tell as opposed to just seeing everything you point it at.

Hollywood is full of quality lighting technicians and many can be found on our IATSE Local 728 Set Lighting Technician roster. Unfortunately our local doesn’t list the roster on it’s web page so we remain nameless.

The good thing is that as technicians in Hollywood we get to work with some of the best equipment and biggest names in production on the biggest lots. It is great experience and can be a lot of fun.

Whether it’s conventional tungsten lighting, dmx controlled moving lights, LED, HMI, theatrical/commercial/live show or your christmas lights for the holidays, 728 electricians are knowledgable and familiar. We are there to support cinematographers and our Local 600 brothers and sisters to help create the looks that win the awards for the director’s chair folks and the video village crowds.

Hollywood Lighting Partners likes the latitude in HD

By Admin November 11, 2015 November 11, 2015 728 member, lbccmvp, lighting director, Lighting Facts, local 728, peter pearce, show lights

Hollywood Lighting Partners owner and Local 600 DP, Pete Pearce loves the technology that HD recording allows. “HD chips see so much that you really have to be careful when painting with light and creating the dramatic looks. The light ratios must be considered and light control diligently monitored” says Pete.

In the photo above, a 1000w stage work light illuminates the stage wall and some phone wires. You can see the range of contrast from the shape of the bulb in the lamp which normally would blow out and you can see much detail in this relatively low light situation which is maybe an 8 stop latitude or more. Also, the grainy look is what many video film makers are looking for to imitate the film look which can be achieved when tricking and stretching the limits of the HD cameras and their CMOS chips.